Koco

Bergman, smrť, psychoanalýza, Fellini, vekovo nerovnomerné vzťahy, Whatever Works™, Bunuel, absencia zmyslu života, Dostojevskij, anestetický look, Welles, euro-riviéra, Godard ..... absolútna umelecká rezignácia, ktorej výsledkom je asi najčistejší Late Style™ v Allenovej kariére.

Infantilný kraťas na tému Stranger in a Strange Land, len škoda, že mal 97 minút. Hviezdičky dávam za zopár podarených gagov a najmä scénu s francúzskym producentom. Potvrdila moje dlhodobé tušenie o náture európskych investícií do filmov z ,, exotických" krajín.

"What of artistic lateness not as harmony and resolution but as intransigence, difficulty, and unresolved contradiction? What if age and ill health don't produce the serenity of 'ripeness is all'? ... Far from resolution, then, Ibsen's last plays suggest an angry and disturbed artist for whom the medium of drama provides an occasion to stir up more anxiety, tamper irrevocably with the possibility of closure, and leave the audience more perplexed and unsettled than before. ... I'd like to explore the experience of late style that involves nonharmonious, nonserene tension, and above all, a sort of deliberately unproductive productiveness, going against." - Edward Said